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Les contes d’Hoffmann

Opera fantastique in five acts by Jacques Offenbach (1819–1880). Libretto Jules Barbier after a play by Jules Barbier and Michel Carré. Edition Michael Kaye and Jean-Christophe Keck. A co-production with Saarländisches Staatstheater, Saarbrücken.

A fantasy opera about the mysteries of love.

  • Length

    3 h 45 mins, including 2 intervals

  • Where

    Main Stage

  • Genre


  • Language

    French, with titles in Swedish and English.

  • Price

    150–690 kr

  • Accessibility

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Hoffmann’s beloved Stella has left him. He drowns his sorrows in alcohol while reminiscing on the past. What led to this breakup? In his bereaved state, reality and fantasy merge together.

The real-life Hoffmann was primarily famous for his humorous fantasy stories. In Les contes d’Hoffmann (The Tales of Hoffmann), Hoffmann is the main character in three of his own stories.

Sublime soprano Kerstin Avemo portrays the three women that Hoffmann has loved and subsequently lost under bizarre circumstances. Each of the women – the perfect Olympia, the ambitious Antonia and the dramatic Giulietta – represent aspects of one and the same woman. The role of Hoffmann is sung by three tenors of different ages. Joachim Bäckström plays the middle-aged man looking back on his life.

In the hands of the young Polish director Krystian Lada, Les contes d’Hoffmann is easy for us to identify with despite its multi-layered, dreamlike and absurd elements. As with any couple, Hoffmann’s relationship with Stella requires constant decisions to be made in the best interests of the individuals, their relationship and their careers. French conductor Sébastien Rouland has conducted the opera several times, most recently in Tokyo.

Les contes d’Hoffmann is a love story where the burlesque meets the grotesque. It exists in a number of versions, and no one knows Offenbach’s real intentions for the work. He died a month before the opera opened, with the score in his hand, and never saw his life’s project become reality. This production is based on the latest version, from Offenbach’s original score.


“★★★★★” (Bachtrack)
“Sensational” (GP)
“A completely outstanding Kerstin Avemo” (SvD)
“Simply divine” (DN)
“Something of a sensation” (GP)
“Massive standing ovation” (Bachtrack)
“The story really gets under your skin” (GP)
“Astounding performances” (GP)
“A complex dream-play” (Expressen)

Photos from the performance

In photo:  Tomas Lind, Kerstin Avemo, Brian Michael Moore, GöteborgsOperans Kör|Photographer:  Lennart Sjöberg

Curious about Les contes d'Hoffmann?

Curious about Les contes d'Hoffmann?

Interview with Krystian Lada
Panel discussion

Costume and set designs

Photographer:  Bente Rolandsdotter

Old Hoffmann / Spalanzani Tomas Lind
Middle-aged HoffmannJoachim Bäckström
Young Hoffmann/SchlemilBrian Michael Moore
Nicklausse/MusanKatarina Karnéus
Olympia/ Antonia/ Giulietta/ Stella Kerstin Avemo
Lindorf/ Coppelius/ Dr. Miracle/ DapertuttoAndrew Foster Williams
Andrés/ Cochenille/ Frantz/ Pitchinaccio Daniel Ralphsson
Hermann Daniel Hayes
Voice of Antonia’s motherKatarina Giotas

Performance calendar

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