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Viva la mamma

Opera in two acts by Gaetano Donizetti (1797–1848). Swedish translation and adaptation by Claes Eriksson.

Satirical opera directed by Claes Eriksson.

  • Length

    Approx. 2 hours, incl. 1 intermission

  • Where

    Göteborg Opera, Main Stage

  • Genre


  • Language

    Swedish. Surtitles in Swedish and English.

  • Price

    150–690 kr

  • Accessibility

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When the players quit the play and decorum slips away, gossip saves the day.

A big opera house is staging a production of a dramatic opera about love at the height of the Roman Empire. The director and producer have the best intentions, but they hadn’t bargained on the singers being quite so... shall we say, self-oriented. Rehearsals break down when each of the cast members insists on being at the centre – of the plot, the stage and the poster. When the second soprano’s formidable and self-important mother, Agata, storms in demanding that her daughter be given a glamorous role, half of the cast members quit the production. Fiasco looms as the production budget dwindles. But Agata knows that ‘When the players quit the play and decorum slips away, gossip saves the day’. She has compiled all her experiences from the industry into a compromising book expected to be a bombshell, for which her publisher has paid a generous advance. Could this money save the day?

Donizetti’s elegant and entertaining work Viva la mamma takes an ironic look at the difficulties that can arise before an opera premiere, cheekily poking fun at stereotypes. The opera is directed and translated by Claes Eriksson from the comedy troupe Galenskaparna, a director, scriptwriter, stage comedian, actor and composer. This is his first opera production. Expressed in his own words: ‘Because I’ve already been lucky enough to do everything I’ve dreamed of, I now only do things I could never have dreamed of.’

Viva la mamma, one of Donizetti’s early operas, was initially penned as a one-act opera entitled Le convenienze ed inconvenienze teatrali (1831), loosely ‘Theatrical adventures and misadventures’, which Donizetti later reworked into a two-act opera. Relegated to obscurity for a century, it was revived in the 1960s and has since enjoyed success on international stages under the punchier name of Viva la mamma.

Gunilla Coriander (prima donna)Kerstin Avemo
Tobias Coriander (Gunilla’s husband)Mattias Ermedahl
Lovisa Geller (seconda donna)Mia Karlsson
Agata Geller (Lovisa’s mother)Åke Zetterström
Gabriella Vallinder (mezzo-soprano)Ann-Kristin Jones
Mölleman ”Mölle” Williamsen (tenor)Viktor Johansson
Alfredo Madralli (director)Mats Persson
Åke Mörk (producer)Henrik Andersson

The Göteborg Opera Women’s Chorus

The Göteborg Opera Orchestra


One hour prior to each opera on the Main Stage, we present an introduction to the evening’s performance in Swedish. They last around 20 minutes and are held on the Small Stage.

Admission is free with a booked ticket, which you can book via the link below.

Please note: introductions are presented in Swedish, and there is no introduction before the premiere performance.

Book tickets and learn more about our introductions, panel discussions and open rehearsals


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