Camilla Tilling has been performing on the world’s leading opera, concert and recital stages for over two decades while simultaneously building an impressive discography. Recent concert highlights include Bach’s St Matthew Passion with Sinfonieorchester des Bayerischen Rundfunks and Sir Simon Rattle, Mozart’s Mass in C minor with Oslo Philharmonic under chief conductor Klaus Mäkelä and Mahler’s Symphony No.4 with Los Angeles Philharmonic Orchestra and Gustavo Dudamel. Early operatic roles such as Sophie (Der Rosenkavalier), Pamina (Die Zauberflöte), Ilia (Idomeneo), Susanna (Le nozze di Figaro) and Zerlina (Don Giovanni) took Tilling to the Royal Opera House Covent Garden, San Francisco Opera, Bayerische Staatsoper, Opéra national de Paris, Lyric Opera of Chicago, Teatro alla Scala and The Metropolitan Opera.
Later roles included the Governess (The Turn of the Screw) at Glyndebourne Festival, Euridice (Orfeo ed Euridice) at Salzburg Mozartwoche, Donna Clara (Der Zwerg) at Bayerische Staatsoper, Gretel (Hänsel und Gretel) at Covent Garden, l'Ange (Saint François d'Assise) for Dutch National Opera, both Blanche de la Force (Dialogues des Carmélites) and Contessa (Le nozze di Figaro) at Royal Swedish Opera where she this Spring made her debut as Puccini’s Suor Angelica in their production of Il Trittico.
Further roles include Mélisande (Pelléas et Mélisande) at Teatro Real Madrid, Semperoper Dresden, Finnish National Opera and with the Los Angeles Philharmonic. She reprised her earlier success as Mozart’s Fiordiligi in concert performances of Così fan tutte last season with the Freiburg Barock Orchester and René Jacobs.
Photo: Carin Ekblom